CURATION
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from this page:
by Matrix
Network Node
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Name:
Lionel Loueke
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City/Place:
Los Angeles, California
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Country:
United States
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Hometown:
Cotonou, Benin
Life & Work
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Bio:
Starting out on vocals and percussion, Lionel Loueke picked up the guitar late, at age 17. After his initial to exposure to jazz in Benin, he left to attend the National Institute of Art in nearby Ivory Coast. In 1994 he left Africa to pursue jazz studies at the American School of Modern Music in Paris, then went to the U.S. on a scholarship to Berklee College of Music. From there, Loueke gained acceptance to the Thelonious Monk Institute of Jazz, where he encountered his Gilfema bandmates Biolcati, Nemeth, Parlato and other musicians with whom he would form lasting creative relationships.
In 2008 and 2009, Lionel Loueke was picked as top Rising Star guitarist in DownBeat magazine's annual Critics Poll.
Praised by his mentor Herbie Hancock as "a musical painter," Lionel Loueke combines harmonic sophistication, soaring melody, a deep knowledge of African music, and conventional and extended guitar techniques to create a warm and evocative sound of his own. JazzTimes wrote "Loueke's lines are smartly formed and deftly executed. His ear-friendly melodicism draws both from traditional African sources and a lifetime of closely studying the likes of Jim Hall and George Benson, and his rhythmic shifts come quickly and packed with surprises."
After graduating from Berklee College of Music, Lionel Loueke was accepted to the Thelonious Monk Institute of Jazz in Los Angeles where he had the opportunity to study his greatest mentors: Herbie Hancock, Wayne Shorter and Terence Blanchard.
Soon after his time at the Monk Institute, Lionel Loueke began focusing exclusively on nylon-string acoustic guitar, an instrument on which he's developed a signature voice.
Lionel Loueke released his first album In a Trance (2005) on Space Time Label, then three albums on Obliqsound Label as a leader (Virgin Forest - 2006) and with Gilfema (Gilfema - 2005, Gilfema + 2 - 2008)
His first release on Blue Note Label Karibu (2008), featuring the trio with Hancock and Wayne Shorter as special guests, won widespread critical praise.
His sophomore release for Blue Note, Mwaliko (2010), followed up acclaimed Karibu offered a series of searching, innovative, intimate duets with Angelique Kidjo, Esperanza Spalding, Richard Bona and Marcus Gilmore - artists and allies who continue to have a profound impact on Loueke's vision as a bandleader.
Hailed as a "gentle virtuoso" by Jon Pareles of The New York Times, guitarist/vocalist Lionel Loueke follows up with Heritage (released in August 2012), co-produced by piano great and Blue Note label mate Robert Glasper. Lionel Loueke, long known for his nylon-string acoustic guitar, releases here a more electric album.
In 2015, Loueke chose to record Gaía, his remarkable rock-infused fourth Blue Note album, live in the studio with an intimate audience in attendance.
Loueke has appeared on numerous standout recordings such as Terence Blanchard’s Grammy-nominated Flow (2005) and Hancock’s Grammy-winning River: The Joni Letters (2008). Lionel appeared on recordings by such legends as Jack DeJohnette (Sound Travels), Charlie Haden (Land of the Sun), Kenny Barron (The Traveler) and Gonzalo Rubalcaba (XXI Century). He has also appeared on recordings by Esperanza Spalding, Joe Lovano, Gretchen Parlato, Avishai Cohen, Kendrick Scott and other leading peers.
He has also toured the world as a member of Hancock’s band for more than ten years and starts touring with Chick Corea this year after recording his last album to be released.
Lionel Loueke is also a member of Blue Note’s 75th anniversary all-star band with Robert Glasper, Derrick Hodge, Kendrick Scott, Ambrose Akinmusire and Marcus Strickland.
These experiences all inform Loueke's extraordinary work as a leader.
Clips (more may be added)
In this matrix it's not which pill you take, it's which pathways you take, pathways originating in the sprawling cultural matrix of Brazil: Indigenous, African, Sephardic and then Ashkenazic, European, Asian... Ground Zero is the Recôncavo, delineated by the Bay of All Saints, earthly center of gravity for the disembarkation of enslaved human beings — and the sublimity they created — presided over by the ineffable Black Rome of Brazil: Salvador da Bahia.
("Black Rome" is an appellation per Caetano Veloso, son of the Recôncavo, via Mãe Aninha of Ilê Axé Opô Afonjá.)
Caetano Veloso
THE MATRIX MISSION: What do Jimmy Cliff, Jimmy Page, and Dionne Warwick all have in common? They've all lived in Bahia and Dionne is moving back (visitors include Kareem Abdul-Jabbar, Spike Lee, Michael Jackson, Beyoncé, David Byrne and Sting, among others). But so have lived and now live untold numbers of Bahian creators whose magisterial work has never had the major media means to reach beyond limited surroundings. In order that the creators of Bahia might have global reach, all creators must have global reach.
QED: 'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya!
Susan Rogers
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze: manager, Kamasi Washington
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad: Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd-Webber: UK's premier cellist; brother of Andrew Lloyd Webber (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"Thanks, this is a brilliant idea!!"
—Alicia Svigals: World's premier klezmer violinist
Developed here in the Historic Center of Salvador da Bahia ↓ .
Bule Bule (Assis Valente)
"♫ The time has come for these bronzed people to show their value..."
Recommend somebody and you will appear on that person's page. Somebody recommends you and they will appear on your page.
Both pulled by the inexorable mathematical gravity of the small world phenomenon to within range of everybody inside.
And by logical extension, to within range of all humanity outside as well.
8 billion human beings tend to within six degrees of connection to each other.
In a small world great things are possible.
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
I built the Matrix below (I'm below left, with David Dye & Kim Junod for U.S. National Public Radio) among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian. If you create too, join them in the Matrix.
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