...called by The Guardian "one of the 10 best around the world". We'd all be grateful for a pipeline, a channel, a link, from your world into all of this... Truth of the matter is, this is your world too.
Bio:
Recognized for intense, commanding performances, delivered with dazzling virtuosity and technical assurance, violinist Jennifer Koh is a forward-thinking artist dedicated to exploring a broad and eclectic repertoire, while promoting diversity and inclusivity in classical music. She has expanded the contemporary violin repertoire through a wide range of commissioning projects, and has premiered more than 70 works written especially for her. Her quest for the new and unusual, sense of endless curiosity, and ability to lead and inspire a host of multidisciplinary collaborators, truly set her apart.
Ms. Koh continues her critically acclaimed series this season, including Limitless, The New American Concerto, Shared Madness, Bach and Beyond, and Bridge to Beethoven. Initiated in 2018 at Brooklyn’s National Sawdust, Limitless is a commissioning project that engages leading composer-performers to write duo compositions that explore the artistic relationship between composer and performer. Performed by Ms. Koh and the composers themselves, these works appear on recording in September 2019, released by Cedille Records. Ms. Koh also performs music from Limitless at San Francisco’s Herbst Theatre with composer-performers Vijay Iyer and Tyshawn Sorey, and at the Modern Art Museum of Forth Worth with Mr. Iyer, presented by the Van Cliburn Foundation. The New American Concerto is Ms. Koh’s ongoing, multi-season commissioning project that explores the form of the violin concerto and its potential for artistic engagement with contemporary societal concerns and issues through commissions from a diverse collective of composers. This season, as part of the project, she gives the world premieres of Lisa Bielawa’s Sanctuary with the Orlando Philharmonic and Courtney Bryan’s Syzygy with the Chicago Sinfonietta, as well as the New York premiere of Vijay Iyer’s Trouble with The Knights at the Miller Theater. The New American Concerto launched with Ms. Koh’s world premiere of Trouble at the 2017 Ojai Music Festival, followed by a performance with The Knights at Tanglewood, and has since continued with a new concerto by Christopher Cerrone titled Breaks and Breaks, which she premiered with the Detroit Symphony Orchestra in May 2018.
In recital, Ms. Koh performs music from her Bach and Beyond series, which traces the history of the solo violin repertoire from Bach’s Six Sonatas and Partitas to 20th- and 21st-century composers, in Rockport, ME and at the International Women’s Museum in Washington, DC; and her Shared Madness commissioning project, comprising short works for solo violin that explore virtuosity in the 21st century, written for the project by more than 30 of today’s most celebrated composers, at SUNY Fredonia. In addition to experiencing Shared Madness in the concert hall, listeners are also able to hear recordings of the premiere performances and interviews between Ms. Koh and the composers via the Shared Madness radio show, which originally aired on WQXR’s New Sounds (formerly Q2) during the summer of 2017 and remains available on demand. Another important project created by Ms. Koh is Bridge to Beethoven which she performs with her frequent recital partner Shai Wosner. Bridge to Beethoven pairs the Beethoven’s violin sonatas with new and recent works inspired by them to explore the composer’s impact and significance on a diverse group of musicians.
Ms. Koh performs a broad range of concertos that reflects the breadth of her musical interests from traditional to contemporary. Highlights of her orchestral appearances have included performances of such traditional repertoire as Bach’s Violin Concerti with Orpheus Chamber Orchestra; Dvořák’s Violin Concerto with the Pittsburgh Symphony led by Manfred Honeck and RAI National Symphony with James Conlon; Mozart’s Violin Concerto No. 1 with the Los Angeles Philharmonic led by Bramwell Tovey and St. Louis Symphony led by Nicolas McGegan; Tchaikovsky’s Violin Concerto with the Munich Philharmonic led by Lorin Maazel; and Vivaldi’s The Four Seasons with the Detroit Symphony led by Nicolas McGegan.
She has performed 20th-century works including Bartok and Berg concerti with the Milwaukee Symphony led by Edo de Waart; Bernstein’s Serenade with the Minnesota Orchestra led by Juanjo Mena and the Philadelphia Orchestra led by Yannick Nézet-Séguin; Lutosławski’s Chain 2 with the New York Philharmonic led by Lorin Maazel and the Philharmonia Orchestra with Esa-Pekka Salonen; Scelsi’s Anahit with the Los Angeles Philharmonic led by Gustavo Dudamel; and Sibelius’s Violin Concerto with the New Jersey Symphony led by Xian Zhang, the São Paulo Symphonies with Marin Alsop, and the Columbus Symphony led by Rossen Milanov. An advocate for music from our current millennium, she has performed Anna Clyne’s The Seamstress with the BBC Symphony led by Sakari Oramo, the Chicago Symphony led by Ludovic Morlot, and Cincinnati Symphony conducted by Louis Langrée; Esa-Pekka Salonen’s Violin Concerto with the Houston Symphony led by Christoph Eschenbach, Nashville Symphony conducted by Giancarlo Guerrero, and Cincinnati and Gothenburg Symphonies conducted by Santtu-Matias Rouvali; and Steven Mackey’s Beautiful Passing with the Baltimore Symphony under Marin Alsop.
This season, she plays Barber’s Violin Concerto with the New Haven Symphony conducted by Alasdair Neale and with the Springfield Symphony led by Peter Stafford Wilson, Beethoven’s Violin Concerto with the Boulder Philharmonic conducted by Michael Butterman, Philip Glass’s Violin Concerto with the Oklahoma City Philharmonic conducted by Alexander Mickelthwate, Esa-Pekka Salonen’s Violin Concerto with the New Zealand Symphony Orchestra conducted by Edo de Waart, and Tchaikovsky’s Violin Concerto with the Amarillo Symphony led by Jacomo Bairos.
Ms. Koh played the role of Einstein in the revival of Philip Glass and Robert Wilson’s Einstein on the Beach from 2012 to 2014; and a particular highlight of her career was performing with St Vincent (Annie Clark) and S. Epatha Merkerson at the 2018 Kennedy Center Honors in a tribute to Mr. Glass. She has also performed for former First Lady of the United States Michelle Obama and former First Lady of South Korea Kim Yoon-ok in 2011.
Ms. Koh brings the same sense of adventure and brilliant musicianship to her recordings as she does to her live performances. She has now recorded thirteen albums, including Limitless in the fall 2019, with Chicago-based Cedille Records. Her previous recording for the label, released in 2018, is a collection of works by Kaija Saariaho, whose music she has long championed and with whom she has closely collaborated. Titled Saariaho X Koh, the album includes the chamber version of the violin concerto Graal Théâtre with the Curtis Chamber Orchestra; Cloud Trio with violist Hsin-Yun Huang and cellist Wilhelmina Smith; Tocar with pianist Nicolas Hodges; Aure with cellist Anssi Karttunen, with whom she premiered the violin and cello version in 2015; and Light and Matter with both Mr. Hodges and Mr. Karttunen, with whom she performed the French premiere in 2017.
Ms. Koh’s discography on Cedille Records also includes Tchaikovsky: Complete Works for Violin and Orchestra with the Odense Symphony Orchestra conducted by Alexander Vedernikov, Bach & Beyond parts 1 and 2 (with Part 3 scheduled for release in 2020); Two x Four in collaboration with her former teacher, violinist Jaime Laredo, and featuring double violin concerti by Bach, Philip Glass, and new commissions from Anna Clyne and David Ludwig; Signs, Games + Messages, a recording of violin and piano works by Janáček, Bartók, and Kurtág with Mr. Wosner; Rhapsodic Musings: 21st Century Works for Solo Violin; the Grammy-nominated String Poetic, featuring the world premiere of Jennifer Higdon’s eponymous work, performed with pianist Reiko Uchida; Schumann’s complete violin sonatas, also with Ms. Uchida; Portraits with the Grant Park Orchestra under conductor Carlos Kalmar with concerti by Szymanowski, Martinů, and Bartók; Violin Fantasies: fantasies for violin and piano by Schubert, Schumann, Schoenberg, and saxophonist Ornette Coleman, again with Ms. Uchida; and Ms. Koh’s first Cedille album, from 2002, Solo Chaconnes, an earlier reading of Bach’s Second Partita coupled with chaconnes by Richard Barth and Max Reger. Ms. Koh is also the featured soloist on a recording of Ms. Higdon’s The Singing Rooms with the Atlanta Symphony Orchestra led by Robert Spano for Telarc.
She is active not only in the concert hall and recording studio, but also as a lecturer and teacher. She is in residence this spring at Brown University, during which she will give a solo recital, perform with the university orchestra, and engage with students through master classes, talks, and seminars on topics including contemporary composition. In recent seasons, she has also been in residence at Cornell, Duke, and Tulane Universities, as well as the Curtis Institute of Music, Oberlin Conservatory and College, and University of California, Santa Barbara. In 2018, she was a keynote speaker on diversity and inclusion in classical music at the League of American Orchestras annual conference.
Ms. Koh is the Founder and Artistic Director of arco collaborative, an artist-driven nonprofit that fosters a better understanding of our world through a musical dialogue inspired by ideas and the communities around us. The organization supports artistic collaborations and commissions, transforming the creative process by engaging with specific ideas and perspectives, investing in the future by cultivating artist-citizens in partnership with educational organizations. Ms. Koh is a member of the Board of Directors of the National Foundation for the Advancement for the Arts, a scholarship program for high school students in the arts.
Born in Chicago of Korean parents, Ms. Koh began playing the violin by chance, choosing the instrument in a Suzuki-method program only because spaces for cello and piano had been filled. She made her debut with the Chicago Symphony Orchestra at age 11. She has been honored as “A Force of Nature” by the American Composers Orchestra and Musical America’s 2016 Instrumentalist of the Year. Ms. Koh was a top prize winner at Moscow’s International Tchaikovsky Competition, winner of the Concert Artists Guild Competition, and a recipient of an Avery Fisher Career Grant. She has a Bachelor of Arts degree in English literature from Oberlin College and studied at the Curtis Institute, where she worked extensively with Jaime Laredo and Felix Galimir.
Contact Information
Management/Booking:
Representation:
Opus 3 Artists
470 Park Avenue South
9th Floor North
New York, NY 10016
Opus 3 Artists GmbH (Berlin)
Pariser Straße 62
10719 Berlin
Deutschland/Germany
Dr. Marcus Felsner
Managing director
phone +49 (0)30-889 101 54
fax +49 (0)30-889 101 70 [email protected]
Publicity:
Shuman Associates
850 Seventh Avenue, Suite 1006
New York, NY 10019
(212) 315-1300
Connie Shuman [email protected]
Lisa Jaehnig [email protected]
Recommend Jennifer Koh in order to appear here. Click on the grey crosses visible when logged in. Your photo will appear, with a link back to your page:
These are pathways, originating in the sprawling cultural matrix of Brazil (Indigenous, African, Sephardic and then Ashkenazik, Arab, European, Asian...), integrating cultural matrixes worldwide.
Matrix ground zero is the Recôncavo of Bahia...virtually unknown center of gravity circumscribing Bahia's Bay of All Saints...end of voyage for more enslaved human beings than any other such throughout all of human history...birthplace of some of the most physically & spiritually uplifting music ever made. Many countries are happier than Brazil, but none are more joyous.
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
MATRIX MUSICAL
The Matrix was built below among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced (that's me below left, with David Dye & Kim Junod for U.S. National Public Radio) ... The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).