CURATION
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from this page:
by Matrix
Network Node
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Name:
David Braid
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City/Place:
London
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Country:
United Kingdom
Life & Work
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Bio:
David Braid was born in Wrexham and grew up in Colwyn Bay on the North Wales coast. His earliest introduction to music was through piano lessons with his mother when around eight years old, later taking violin and guitar lessons. He was involved in various musical activities during his early teens ranging from playing in rock bands to fiddle playing in the school band for the Welsh folk dancers, before focusing primarily on classical guitar and starting to compose in his later teens.
David studied at The Royal College of Music from 1990-94, taking joint-first study in Guitar with Charles Ramirez and Composition with Edwin Roxburgh; also attending the composition classes of George Benjamin.
On completion of his studies, David moved to Poland for two years, spending a year at the Cracow Academy of Music studying composition with the late Marek Stachowski and a second year of private study with Zbigneiw Bujarksi.
During his two years in Cracow he wrote a Violin Concerto and a work for chamber orchestra, ‘Cause and Reaction’ (both since withdrawn). David later undertook further composition study, with Robert Saxton at The University of Oxford.
David works have been broadcast live on BBC Radio 3 and performed in the US, Germany, Poland, Russia, Denmark, Sweden, South America. Major UK performances have taken place at Wigmore Hall and The Purcell Room, King’s Place, et al.
Recently, the string orchestra version of his setting of Pablo Neruda’s poem Mañana, ‘Morning’ was premiered in Moscow. The original version, for soprano and string quartet received its UK premiere at the Wigmore Hall sung by Grace Davidson and features on his new CD with Toccata Classics. ‘Morning’ was also broadcast on Australian radio in summer 2011.
Steve Reich said of this work: ” ‘Morning’. Integration of voice with string quartet beautifully done – particularly first entrance. Writing for instruments is solid and sounds very good to me. Very honest stuff”.
David is the recipient of numerous awards and scholarships including: The John Longmire Prize for Composition, Royal College of Music; The Jack Morrison Prize for Guitar, RCM; The Composition Prize for Youth Orchestra, Murcia, Spain; The Fine Arts Sinfonia Composition Prize (London); The Waterson Scholarship, University of Oxford; the Oppenheim/Downes Memorial Scholarship; The University Graduate Scholarship, University of Oxford and SPNM Short-listed composer 2001, among others.
As well as concert music, David has written film scores, most recently for Polish animation: ‘Blask’ (Illumination) and the short film: ‘Compartment’. He also wrote the tutorial book/CD, ‘Play Classical Guitar’ that has entered three editions including a Spanish translation (Backbeat Books, 2000).
Composers that David cites as having the most effect on his work are: “Sibelius – for his incredible formal logic and expansive use of time; Lutosławski – for the multi-functionality of his musical material plus near-perfect formal processes and Per Nørgård – for showing how complex processes (such as his infinity series) can be used to help create genuine beauty”.
Other musical interests and influences of David’s include his love of vinyl recordings, especially older rarities, he says: “I learn so much from performers, Glenn Gould and Julian Bream for example, also earlier ones such as harpsichordist Wanda Landowska and the English pianist Solomon, who incidentally was a friend of my great uncle in the 1950s. Many of these players had such an intelligent and thought-through approach to phrasing and pacing. They perhaps have had as much influence on me as any composer. There are also a highly refreshing bunch of new players around who are able to bring a very focused and informed approach to the repertoire in a wholly new way – this is extremely encouraging”.
More
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Quotes, Notes & Etc.
Education:
M.Litt. (Composition), University of Oxford, St. Anne’s College.
M.Mus. (Composition), Royal College of Music, London.
Private study, Prof. Zbigniew Bujarski, Cracow, Poland (Fugue/Counterpoint).
Diploma (Composition/Conducting), Cracow Academy of Music, Poland.
Dip.RCM. (Composition/Guitar), Royal College of Music, London.
Clips (more may be added)
"In a small world great things are possible." Mathematics in the Matrix positions creators worldwide within reach of each other, step by step by step...
In this matrix it's not which pill you take, it's which pathways you take, pathways originating in the sprawling cultural matrix of Brazil: Indigenous, African, Sephardic and then Ashkenazic, European, Asian... Ground Zero is the Recôncavo, delineated by the Bay of All Saints, earthly center of gravity for the disembarkation of enslaved human beings — and the sublimity they created — presided over by the ineffable Black Rome of Brazil: Salvador da Bahia.
("Black Rome" is an appellation per Caetano Veloso, son of the Recôncavo, via Mãe Aninha of Ilê Axé Opô Afonjá.)
Caetano Veloso
THE MATRIX MISSION: What do Jimmy Cliff, Jimmy Page, and Dionne Warwick all have in common? They've all lived in Bahia and Dionne is moving back (visitors include Kareem Abdul-Jabbar, Spike Lee, Michael Jackson, Beyoncé, David Byrne and Sting, among others). But so have lived and now live untold numbers of Bahian creators whose magisterial work has never had the major media means to reach beyond limited surroundings. In order that the creators of Bahia might have global reach, ALL creators must have global reach.
QED: 'mātriks / "source" / from "mater", Latin for "mother". We're real mothers for ya! (thank you Johnny "Guitar" Watson)
Susan Rogers
"Dear Sparrow: I am thrilled to receive your email! Thank you for including me in this wonderful matrix."
—Susan Rogers: Personal recording engineer for Prince, inc. "Purple Rain", "Sign o' the Times", "Around the World in a Day"... Director of the Berklee Music Perception and Cognition Laboratory
"Thanks! It looks great!....I didn't write 'Cantaloupe Island' though...Herbie Hancock did! Great Page though, well done! best, Randy"
"We appreciate you including Kamasi in the matrix, Sparrow."
—Banch Abegaze: manager, Kamasi Washington
"This is super impressive work ! Congratulations ! Thanks for including me :)))"
—Clarice Assad: Pianist and composer with works performed by Yo Yo Ma and orchestras around the world
"Dear Sparrow, Many thanks for this – I am touched!"
—Julian Lloyd-Webber: UK's premier cellist; brother of Andrew Lloyd Webber (Evita, Jesus Christ Superstar, Cats, Phantom of the Opera...)
"Thanks, this is a brilliant idea!!"
—Alicia Svigals: World's premier klezmer violinist
Developed here in the Historic Center of Salvador da Bahia ↓ .
Bule Bule (Assis Valente)
"♫ The time has come for these bronzed people to show their value..."
Recommend somebody and you will appear on that person's page. Somebody recommends you and they will appear on your page.
Both pulled by the inexorable mathematical gravity of the small world phenomenon to within range of everybody inside.
And by logical extension, to within range of all humanity outside as well.
8 billion human beings tend to within six degrees of connection to each other.
In a small world great things are possible.
I'm Pardal here in Brazil (that's "Sparrow" in English). The deep roots of this project are in Manhattan, where Allen Klein (managed the Beatles and The Rolling Stones) called me about royalties for the estate of Sam Cooke... where Jerry Ragovoy (co-wrote Time is On My Side, sung by the Stones; Piece of My Heart, Janis Joplin of course; and Pata Pata, sung by the great Miriam Makeba) called me looking for unpaid royalties... where I did contract and licensing for Carlinhos Brown's participation on Bahia Black with Wayne Shorter and Herbie Hancock...
...where I rescued unpaid royalties for Aretha Franklin (from Atlantic Records), Barbra Streisand (from CBS Records), Led Zeppelin, Mongo Santamaria, Gilberto Gil, Astrud Gilberto, Airto Moreira, Jim Hall, Wah Wah Watson (Melvin Ragin), Ray Barretto, Philip Glass, Clement "Sir Coxsone" Dodd for his interest in Bob Marley compositions, Cat Stevens/Yusuf Islam and others...
...where I worked with Earl "Speedo" Carroll of the Cadillacs (who went from doo-wopping as a kid on Harlem streetcorners to top of the charts to working as a janitor at P.S. 87 in Manhattan without ever losing what it was that made him special in the first place), and with Jake and Zeke Carey of The Flamingos (I Only Have Eyes for You)... stuff like that.
Yeah this is Bob's first record contract, made with Clement "Sir Coxsone" Dodd of Studio One and co-signed by his aunt because he was under 21. I took it to Black Rock to argue with CBS' lawyers about the royalties they didn't want to pay (they paid).
I built the Matrix below (I'm below left, with David Dye & Kim Junod for U.S. National Public Radio) among some of the world's most powerfully moving music, some of it made by people barely known beyond village borders. Or in the case of Sodré, his anthem A MASSA — a paean to Brazil's poor ("our pain is the pain of a timid boy, a calf stepped on...") — having blasted from every radio between the Amazon and Brazil's industrial south, before he was silenced. The Matrix started with Sodré, with João do Boi, with Roberto Mendes, with Bule Bule, with Roque Ferreira... music rooted in the sugarcane plantations of Bahia. Hence our logo (a cane cutter).
Matrix founding creators are behind "one of 10 of the best (radios) around the world", per The Guardian. If you create too, join them in the Matrix.
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